
/cdn.vox-cdn.com/uploads/chorus_image/image/49269829/thomasjeffersonportrait.0.0.jpg)
The bulk of it is made up of very short chapters depicting scenes from Jefferson’s and Hemings’ lives told in a fairly straightforward historical-fiction style, in the third person omniscient voice. The structure of the novel itself is interesting.

I loved it, but I’m also well aware of its limitations. O’Connor’s novel is weighty, ingenious, beautifully written and, like the historical relationship it depicts, problematic and controversial. I read Barbara Chase-Riboud’s 1979 novel Sally Hemingsmany years ago, and of course was intrigued by Stephen O’Connor’s recent re-imagining of the story when it appeared last year. The personal aspect of his relationship with Sally (who is sometimes referred to as his “slave mistress,” a problematic term as it suggests a relationship that is at once both consensual and non-consensual) only makes for more fertile ground for a novelist who can go in imagination where historians are not able to tread. Jefferson’s stance on slavery –he was theoretically opposed to it, yet owned hundreds of slaves and freed almost none of them within his lifetime (almost all those he did free were members of the Hemings family, including Sally’s children) - already makes him a complicated historical figure. She fascinates me because she is a woman about whom very little is known, who lived out her life in close proximity and almost certainly in a sexual relationship with a man about whom we know a great deal - and that relationship colours and changes everything we know, or think we know, about Jefferson. Sally Hemings, the enslaved woman owned by Thomas Jefferson who was also his sister-in-law and probably the mother of four of his children, is a fascinating historical character.
